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In 1898 Toscano made the country's first film with a plot, titled Don Juan Tenorio. The origin of early Mexican film-making is generally associated with Salvador Toscano Barragán, who introduced the filmed reportage. Mexican cinema continued to become more available across the country, thanks in part to businessmen such as Guillermo Becerril, Carlos Mongrand and Salvador Toscano. Teatro de los Insurgentes a visual history of the theatre in Mexico on the building's façade. The first fiction film to be created in Mexico was based on a recreation of the duel between two deputies, called Duelo a pistola en el bosque de Chapultepec (Gun duel in the Chapultepec forest). President with Mexico's, one of the first filmed reportages produced in Mexico. In 1906, he is seen in La entrevista de los presidentes Díaz-Taft, the first-ever meeting of a U.S. President Díaz recognized the importance of cinema and appeared in many films placing him at the center of action with his cabinet ministers in a parade and in the zócalo. This projection included films by the Lumierè brothers such as L'Arrivée d'un train en gare de La Ciotat, and on 15 August, a projection was made for the general public. On 6 August 1896, President Porfirio Díaz invited Bon Bernard and Veyre to his residence at Chapultepec Castle, and eight days later, the first projection for the press was made in what is now Madero Street. Salvador Toscano, Mexico's first filmmakerįilm in México continued to expand quickly after its arrival in Mexico. Mexico entered production in the silent film industry with several movies, but many of the films up to the 1920s have been lost and were not well documented. The cinematograph arrived to Mexico seven months after its first projection in France, brought in by Claude Ferdinand Bon Bernard and Gabriel Veyre (the latter had been contracted by the Lumierè brothers to spread the cinematograph across México, Venezuela, the Guaianas and the Antilles).
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Shortly after the first moving picture was viewed in 1895 using Thomas Edison's kinetoscope and the invention of the cinematographe projector by Auguste Lumière, Mexicans began queuing in cinemas in the capital to see international one-minute films such as The Card Players, Arrival of a Train, and The Magic Hat.
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Mexico has twice won the highest honor at the Cannes Film Festival, having won the Grand Prix du Festival International du Film for María Candelaria in 1946 and the Palme d'Or in 1961 for Viridiana, more than any other Latin American nation.
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The Guadalajara International Film Festival is the most prestigious Latin American film festival and is held annually In Guadalajara, Mexico. ĭuring the Golden Age of Mexican cinema, Mexico all but dominated the Latin American film industry. From 1915 onward, Mexican cinema focused on narrative film. With the outbreak of the Mexican Revolution in 1910, Mexican and foreign makers of silent films seized the opportunity to document its leaders and events. Seeing a demonstration of short films in 1896, Díaz immediately saw the importance of documenting his presidency in order to present an ideal image of it. Mexican cinema dates to the late nineteenth century during the rule of President Porfirio Díaz.